Rising star #61

Welcome to Rising Star 61—where music, creativity, and innovation collide to shape the future of the global arts scene.

This edition raises the bar, drawing you into a world of groundbreaking artistry and unfiltered passion for sound. Rising Star 61 is more than an event—it’s an immersive journey through diverse musical landscapes, where every note carries a story that lingers long after the last echo fades.

Imagine an electrifying stage where emerging talent shares their unique narratives through the raw power of music. From anthems of empowerment to soul-stirring ballads, each performance is designed to captivate, move, and inspire.

Here, the stage transforms into a living canvas, painting vivid soundscapes brimming with emotion and creativity. It’s a celebration of originality, boundary-pushing talent, and the universal language that unites us all—music.

With a commitment to diversity, fresh perspectives, and the thrill of discovery, Rising Star 61 shines a spotlight on the voices destined to shape the future of sound. This is your chance to witness artistic evolution in real time.

Are you ready to be moved? 🌟🎶

Step into a world where tomorrow’s icons take center stage, and the magic of music reignites your spirit.

Dev London Turns the Music World Upside Down with "Alice (Upside Down)"

With a fresh take on nostalgia wrapped in a sleek modern package, Dev London's latest single, "Alice (Upside Down)," is a striking testament to reinvention and artistic growth. Released on January 31, 2025, this record serves as a pivotal moment in their evolving sound—one that masterfully bridges the early Y2K pop aesthetic with today’s contemporary sensibilities.

Recorded at the renowned Record X Studios in Sacramento, California, "Alice (Upside Down)" offers a mesmerizing fusion of the past and present. Dev London draws inspiration from icons like Britney Spears and Tate McRae, weaving their influences into a track that feels both familiar and refreshingly innovative. The result? A sonic experience that plunges listeners into a world where nostalgia meets reinvention, evoking the same exhilarating rush as a late-90s pop anthem but with the crisp production and emotional depth of modern music.

One of the standout elements of this track is its deeply layered storytelling. Co-written with the immensely talented London Lawhon, "Alice (Upside Down)" delves into the chaos and disillusionment of a toxic relationship, cleverly paralleling the whimsical yet unsettling journey of Alice in Wonderland. This metaphor infuses the song with an imaginative quality, making it more than just another breakup track—it’s an introspective dive into the emotional rollercoaster of love and self-discovery.

What truly sets this release apart is its ability to merge a vintage aesthetic with contemporary edge. While many artists attempt to channel early 2000s influences, few execute it as seamlessly as Dev London. The shimmering synths, infectious hooks, and evocative lyrics transport listeners to a time when pop was at its peak while simultaneously reminding them that the genre is still evolving. This single isn’t just a rebranding moment for Dev London; it’s a bold statement that they are here to shape the future of pop, not just pay homage to its past.

For those craving a track that’s as intoxicatingly nostalgic as it is forward-thinking, "Alice (Upside Down)" is an absolute must-listen. It’s proof that Dev London isn’t just riding the waves of musical trends—they’re making their own.

Vic Moissis – Fire and Steel

Music has long been a medium for storytelling, a force that captures both personal and collective experiences. Vic Moissis’ Fire and Steel stands as a testament to this tradition, blending old-school hip-hop grit with soul, funk-infused guitars, and a powerful social message. This record is not just a listening experience—it’s a call to remembrance and action, a musical tribute to those lost in the tragic Tempi Train Crash.

Released on March 22, 2024, the song “Fire and Steel (28/02/2023)” directly references the catastrophic train crash in the Tempi Valley, Greece. Despite the passage of time, the song’s themes remain painfully relevant. Moissis doesn’t just recount the tragedy—he exposes the systemic negligence that allowed it to happen and the disturbing aftermath, where justice remains elusive. His lyrics echo frustration and sorrow, confronting both the official cover-ups and the violent suppression of protestors seeking accountability.

Musically, the track thrives on its genre fusion. At its core, it’s a hip-hop anthem, but Moissis pushes the boundaries by incorporating elements of rock and soul, creating a soundscape as dynamic as its message. The funky guitar licks and smooth, melancholic vocal harmonies by Yiota Papadopoulou elevate the track, making it both hard-hitting and hauntingly beautiful. A standout moment arrives at 3:31, where Kostas Papachatzis’ electrified taxim solo—a nod to traditional Eastern improvisation—adds an unexpected and deeply emotional twist. It’s a sonic embodiment of grief and defiance, bridging cultures and eras in a way that makes the song’s message even more universal.

Lyrically, Moissis draws on powerful biblical imagery, comparing the tragedy to the sacrifice of Isaac by his father, Abraham. But unlike in the Genesis story, no divine intervention halts the impending loss. Instead, the song leaves listeners with an unshakable sense of injustice, emphasizing the urgency of remembrance and action.

The track was co-produced with papatanice, marking a seamless collaboration that gives Fire and Steel both its polished production and raw, emotional intensity. The cover artwork, designed by Panagiota Stergiopoulou, complements the track’s mood, visually encapsulating the sorrow and rage behind the music.

At its core, Fire and Steel is more than just a song—it’s a statement, a protest, and a memorial. Vic Moissis has crafted a piece of art that not only mourns but demands reckoning. In a world where tragedies often fade into the background, Fire and Steel refuses to let this one be forgotten.

The Bigger Picture by Oscar Utterstrom

In a city where country music reigns supreme, Oscar Utterstrom has carved out a distinct space for himself, proving that jazz not only exists in Nashville but thrives. The Bigger Picture is a testament to his artistry—a fusion of rich, introspective compositions and masterful musicianship that invites listeners to slow down, reflect, and immerse themselves in the moment.

Utterstrom, a Swedish trombonist who has called Nashville home for over two decades, is known for his work as a sought-after session player. Yet, as much as he enjoys playing other artists’ music, there’s something undeniably special about bringing his own vision to life. The Bigger Picture is more than just an album; it’s a journey through intricate melodies, lush arrangements, and deeply personal storytelling.

At the heart of this record is the collaboration between Utterstrom and LA-based lyricist Wayne Moore. Their partnership elevates the project, with Moore’s introspective and evocative lyrics weaving seamlessly into Utterstrom’s compositions. The result is a collection of both instrumental and vocal tracks that feel deeply human—raw, honest, and immersive.

One of the album’s standout moments comes in the form of a reimagined cover of “I Don’t Want to Miss a Thing,” the iconic ballad penned by Diane Warren and made famous by Aerosmith. Utterstrom strips the song down to its emotional core, trading the bombastic grandeur of the original for something more delicate and contemplative. It’s a bold move that pays off, revealing new shades of vulnerability in a song many thought they already knew inside and out.

There’s a meditative quality to The Bigger Picture, a sense of space and intention behind every note. The arrangements are intricate without being overwhelming, the melodies lush without being indulgent. It’s jazz, yes, but it’s also something more—an open invitation to step away from the noise of everyday life and just listen.

Recorded and mixed by Jon Estes in Nashville and mastered by Charles Yingling, the album captures a warmth and clarity that enhances its intimate atmosphere. The sonic choices feel deliberate, as if each sound was carefully placed to serve the greater whole.

In a world that often moves too fast, The Bigger Picture is a reminder to slow down, to embrace the beauty in reflection and the power of a well-crafted melody. Oscar Utterstrom has delivered an album that lingers long after the last note fades—one that doesn’t demand attention but instead earns it, quietly and confidently. For jazz lovers and newcomers alike, this record is an experience worth savoring.

Sam Gutterz - Selling Beef 4 Clout

Brooklyn-born, New Jersey-raised Sam Gutterz doesn’t just rap—he ignites conversations. His latest album, Selling Beef 4 Clout, is an unfiltered dive into the chaos of modern society, pushing listeners to reflect on the nature of conflict, authority, and self-worth. Fueled by hard-hitting production from BeatsbyCito and AnnoDomini, this project doesn’t tiptoe around its themes—it kicks the door down and demands attention.

From the jump, the album sets an aggressive tone. Thumping instrumentals lay the foundation for Sam Gutterz’s razor-sharp lyricism, where every bar feels like a carefully placed jab at the illusions of today’s clout-driven culture. His voice cuts through the mix with clarity, a testament to the top-tier engineering that ensures his message lands with impact.

Tracks like “Reality Check” and “The Want for Me” encapsulate the essence of the album—raw, introspective, and unapologetic. He doesn’t just observe the world; he dissects it. There’s a balance between critique and self-awareness, making Selling Beef 4 Clout more than just a commentary—it’s a personal reckoning.

Sam Gutterz’s journey from recording in a closet to delivering polished, thought-provoking music is evident in every track. His early days under the moniker J. Osa may have laid the groundwork, but Selling Beef 4 Clout is the work of an artist fully in command of his craft. Influences from legends like Tupac, Wu-Tang Clan, and AZ can be heard in his delivery and storytelling, yet he carves out a lane that’s distinctly his own.

For those tired of the superficiality of today’s rap scene, Selling Beef 4 Clout is a breath of fresh air—gritty, real, and unwilling to conform. Sam Gutterz isn’t just making music; he’s making statements. And if this album is any indication, the world should be listening.

Dave Clark – "America"

Dave Clark isn’t one to shy away from storytelling in his music, but with his latest single, America, he takes it a step further. Moving beyond personal narratives, Clark channels his songwriting into the voice of a fictional character, using their journey to explore themes of hope, disillusionment, and the consequences of intolerance in a world that often feels increasingly hostile. It’s a bold move, and one that proves both timely and powerful.

Musically, America carries the hallmarks of Clark’s signature style—intricate acoustic guitar work layered with electronic flourishes and a steady, driving rhythm. His voice remains a defining feature, delivering the song’s weighty message without losing its melodic appeal.

Producer Glenn Kerrigan plays a crucial role in this balance, ensuring the track remains immersive and dynamic, allowing the story to shine through without sacrificing the music’s impact. The result? A song that feels both urgent and effortlessly listenable.

Clark’s previous single, Eyes on the Road, resonated with fans and helped expand his audience, and America seems poised to do the same—if not more. In a landscape often saturated with safe, radio-friendly tracks, Clark’s willingness to tackle real issues stands out. There’s an honesty to his approach, an authenticity that doesn’t feel forced but rather necessary.

In his own words, “I wanted to say something about intolerance and marginalization, which seems to be on the rise. It felt better to me to do it through the eyes of someone else.” That decision to embody another’s perspective elevates America from a mere commentary to a deeply human experience.

With a packed 2025 ahead—including more releases and plans to hit the stage—Clark is determined to take his music beyond the studio. “Apart from being a bit lonely writing and recording as a one-man band,” he says, “it would be a bit hypocritical to write the kind of songs I do and not get out there to meet real people.”

That sentiment perfectly encapsulates what America represents: a song that isn’t just meant to be heard but truly felt. In an industry that often prioritizes easy listening over meaningful discourse, Dave Clark reminds us that music still has the power to challenge, inspire, and start a conversation.

Zukrassverliebt – Teufelskreis: A Haunting Reflection of Inner Conflict

With Teufelskreis, Zukrassverliebt takes listeners on a deeply introspective journey, unraveling the suffocating cycles of depression and the paradoxical comfort found within them. The track doesn’t just explore these emotions thematically—it embeds them into the very DNA of its sound, creating a sonic landscape that is as mesmerizing as it is unsettling.

Originally penned on an acoustic guitar, Teufelskreis has undergone a transformation that enhances its emotional weight. The final production embraces a rich tapestry of synth-driven textures, where shimmering yet melancholic synthesizers intertwine with a raw, electric guitar. The synth bass adds a pulsing undercurrent, grounding the track in a hypnotic rhythm, while carefully placed vocal and drum effects elevate the song’s atmospheric intensity.

What makes Teufelskreis stand out is its ability to mirror the inner turmoil it describes. The track doesn’t just tell a story—it makes you feel the push and pull between despair and familiarity, between longing for escape and sinking deeper into routine. The fusion of Indie and Synth-Pop elements lends a contemporary yet timeless quality, reminiscent of artists who seamlessly blend emotion with electronic soundscapes.

Zukrassverliebt doesn’t merely craft music; they carve out sonic experiences that resonate on a visceral level. Teufelskreis is a testament to that artistry—an immersive, emotionally charged piece that lingers long after the last note fades.

Rosetta West – Night’s Cross Review

Few bands can navigate the intersection of darkness and transcendence quite like Rosetta West. Their latest album, Night’s Cross, isn’t merely a collection of songs—it’s an odyssey through the weight of mortality, loss, and the quiet dignity found in facing the inevitable. But don’t mistake this for a somber or brooding record. Instead, Night’s Cross takes these heavy themes and renders them with an almost defiant energy, merging blues, rock, folk, and even touches of psychedelia into something haunting yet uplifting.

Rosetta West has long built a reputation as an underground force, existing outside mainstream structures while cultivating a fiercely loyal following. Hailing from Illinois, their sound is deeply rooted in blues-rock but expands outward, drawing on mystical and spiritual lyricism that often feels timeless. The band’s lineup is as tight as ever: founder and primary songwriter Joseph Demagore’s raw, soulful vocals and expressive guitar work are at the heart of the record, while Jason X’s basslines and additional keyboard work add depth and atmosphere. As co-producer and sound engineer, Jason X also plays a crucial role in shaping Night’s Cross’s sonic landscape. Meanwhile, Nathan Q. Scratch’s drumming provides a propulsive backbone, making even the weightiest tracks feel alive with movement.

While Night’s Cross follows in the footsteps of last year’s Labyrinth, it takes a harder-edged approach. The lighter moments that occasionally surfaced on Labyrinth give way to a grittier, more intense sound, perfectly suited for the album’s thematic concerns. Tracks like “Echoes at Dusk” and “Final Ember” capture this beautifully—melding bluesy guitar licks with swirling folk melodies and hypnotic rhythms, they create a space where contemplation and catharsis coexist. There’s an undeniable sense of urgency throughout the album, as if each note and lyric carries the weight of something deeply personal yet universally understood.

One of Rosetta West’s greatest strengths has always been their ability to make their music feel both expansive and intimate. Recorded in a home studio in rural Illinois, Night’s Cross bears the marks of that environment—organic, unpolished in the best possible way, and deeply personal. The production maintains a rawness that enhances the album’s emotional core, making every chord and lyric resonate with authenticity.

For those already familiar with Rosetta West’s work, Night’s Cross offers a compelling evolution of their signature sound. And for newcomers, this is as good a place as any to start exploring their catalog. Despite remaining fiercely independent, with only a one-off release through Alive Records, Rosetta West continues to build a discography that is worth seeking out. Their albums may not flood the mainstream, but for those willing to dig, the rewards are immense.

Seek out Night’s Cross on Bandcamp, YouTube, or wherever deep cuts and hidden gems thrive. It’s a record that reminds us of the beauty in darkness, the strength in vulnerability, and the enduring power of music to make sense of it all.

John Goldrust 2000 - The One To Call

Few artists embrace the spirit of true musical independence quite like John Goldrust 2000. On his latest release, The One To Call, Goldrust proves himself not just as a songwriter but as a sonic architect, carefully constructing a world where distorted guitars clash with ethereal chimes, and haunting vocal melodies ride the edge of eerie instability. The result? A track that doesn’t just question modern love—it unsettles, provokes, and lingers long after the last note fades.

Goldrust's DIY approach is nothing short of remarkable. Writing, performing, and producing every element of the song, he transforms his converted summer house studio into an intimate yet expansive creative space. Here, he crafts a sound that nods to legends like Ozzy Osbourne and The Cult while carving out his own distinctive voice. The track’s delayed vocal phrasing—a signature move reminiscent of Osbourne—enhances its disjointed, almost hypnotic quality. Meanwhile, the juxtaposition of heavy distortion with the unsettling twinkle of bell chimes calls to mind Ennio Morricone’s Western soundtracks, evoking the ghostly tension of a cinematic showdown.

Lyrically, The One To Call tackles the modern dating landscape with a sharp and philosophical lens. Goldrust isn’t just recounting personal experience—he’s issuing a critique on the era of instant gratification, where deep emotional connections are often cut short before they even have the chance to bloom. The track suggests that we may be witnessing love’s slow erosion, casualties of a societal shift that prioritizes immediacy over intimacy. In a time when long-standing courtship traditions have been upended, the song raises the unsettling question: Was love ever meant to be this disposable?

The track’s production process also reflects Goldrust’s meticulous attention to detail. Rather than relying on a click track, he built the song around a programmed drum beat, ensuring a more intricate rhythmic foundation before eventually layering in a live drum performance. The battle to balance broken-chord harmonics led to the striking interplay of synth pads and bell chimes, an element that adds an unexpected, almost surreal edge to the song’s dense sonic landscape.

Beyond the studio, Goldrust’s music finds a fitting stage in live performance. His unplugged rendition of The One To Call at the Oxford Poetry Circle on October 30, 2024, captivated audiences and is set for an official release alongside the studio version. With additional live performances scheduled for January 29, 2025, the evolution of his sound in a raw, intimate setting is something to anticipate. As one writer from the Poetry Circle put it, “You’re making a mark!”—a statement that rings true not just for his live performances but for the unique artistic space he’s carving out.

Looking ahead, The One To Call serves as a glimpse into Goldrust’s upcoming album, Travellers in Timing, set for release in late 2025. For those eager to hear more, a live B-side single, Forever and a Day, drops on January 31, 2025, alongside video performances that promise to deepen the experience.

In a world where music is often polished to a point of soulless perfection, John Goldrust 2000 offers something raw, questioning, and deeply human. The One To Call is not just a song—it’s a statement, an experience, and perhaps even a warning. Love, it seems, is not what it used to be, but in Goldrust’s hands, at least it still has a voice.