Week Discover #45
Welcome to Weekly Discover 45—where music meets discovery.
This isn’t just another playlist; it’s a curated experience designed to capture the pulse of today’s sound. Each track has been carefully selected to showcase the evolution of music, blending fresh talent with boundary-pushing creativity.
From soothing melodies to electrifying beats, every song tells a story. It’s a mix of rising artists and innovative sounds, where classic influences merge with modern expression. These tracks don’t just follow trends—they redefine them.
Whether you're a longtime listener or just exploring something new, Weekly Discover 45 offers a fresh perspective on what’s shaping the future of music.
Let’s celebrate artistry, innovation, and the power of sound. Welcome to 1111CR3W—your gateway to the next wave of music.
LOGICA ABSTRACTA
LOGICA ABSTRACTA’s latest release, Headspace Station, is an immersive odyssey through sound, where airy tones and nostalgic moods converge to create a deeply atmospheric experience. The ambient project, helmed by Vadim Militsin, continues to evolve, demonstrating his mastery of floating textures, cosmic soundscapes, and experimental sonic forms.
Unlike the rawer, more granular approach of previous releases, Headspace Station presents a refined and spacious production style. Spanning 16 tracks and over an hour in length, the album takes listeners on a continuous voyage through dreamlike sonic terrains.
This marks a significant shift from LOGICA ABSTRACTA’s earlier works, Alive Forms (2019), In Green (2020), and Slumber King (2023), reinforcing Militsin’s commitment to crafting expansive, cinematic compositions.
One of the defining elements of Headspace Station is its seamless structure—tracks bleed into each other without pause, heightening the sense of immersion. Some titles are drawn from lunar and Martian maps, while others stem from a fictional word generator, adding to the record’s otherworldly essence.
The result is an auditory experience that feels both meticulously constructed and ethereally untethered, much like a sci-fi film score designed to transport the listener beyond the boundaries of known reality.
Militsin’s ability to balance experimentation with accessibility ensures that Headspace Station is not just an album but an invitation to drift through weightless soundscapes and lose oneself in its mesmerizing depths. With this release, LOGICA ABSTRACTA solidifies its reputation as a project that continues to push the boundaries of ambient music while maintaining an emotional core that resonates long after the final notes fade.
Michéle – Unloved: A Haunting Anthem of Heartache
Few artists can channel raw emotion with the sincerity and elegance that Michéle does on Unloved. From the first note, she pulls the listener into a deeply personal yet universally relatable journey—a story of love slipping away, of once-vivid connections fading into cold silence.
Michéle’s voice is the undeniable heart of the track. There’s a quiet vulnerability in her delivery, one that aches with every syllable, making you feel every ounce of the pain she sings about. She doesn’t just perform the lyrics; she lives them, unraveling each verse like a confession whispered in the dead of night.
The production perfectly complements this emotional depth. A lush, melancholic instrumental wraps around her words, setting a mood that’s equal parts haunting and beautiful. It’s modern enough to feel at home in today’s charts yet timeless in its storytelling, ensuring it resonates beyond just a fleeting moment of heartbreak.
Lyrically, Unloved paints a striking portrait of emotional distance—the feeling of watching someone drift away, of unanswered messages and fading promises. The chorus delivers the song’s devastating realization: the love that once felt unbreakable is now unrecognizable. Yet, beneath the sadness, there’s an even deeper fear—the fear of being left behind, of being truly unloved.
It’s this universal fear, this deep human longing for connection, that makes Unloved so powerful. Michéle doesn’t just sing about heartache; she makes you feel it. And that’s the mark of an artist who isn’t just making music—she’s crafting something real, something lasting.
With Unloved, Michéle proves she’s not just another voice in the crowd. She’s a storyteller, a force, and a name that deserves to be heard.
My Satellite
There’s something undeniably magnetic about My Satellite’s sophomore album Person—a record that doesn’t just play through your speakers but pulls you into its orbit. A tragic yet beautifully psychedelic love story, Person is both cinematic and deeply personal, chronicling the emotional arc of a relationship destined to collapse. My Satellite has always embraced the ethereal, but this time, they’ve laced their indie-rock foundation with bold strokes of funk, classical elements, and a grandiose maximalism that borders on hypnotic.
From the very first note, Person establishes itself as an immersive journey. Each track unfolds like a chapter in a novel, driven by infectious pop hooks, groovy basslines, and layered orchestration that feels both lush and unrestrained. The album’s ambition is evident—not just in its intricate production but in its willingness to push sonic boundaries. Tracks flow seamlessly from one to the next, carrying listeners through euphoric highs and gut-wrenching lows, much like the unpredictable course of love itself.
The band’s dedication to crafting something truly special is reflected in the years they spent refining this record. “We set out to make the psychedelic album that we would want to listen to,” they reveal. “One that put importance on the perfect bass line and drum groove, was incredibly maximalist at times, wasn’t scared of being too much or too bizarre, and most importantly was a singular work of art that is more than the sum of its parts.” That sentiment rings true with every listen—there’s an undeniable sense that Person isn’t just an album but a fully realized vision, designed to leave a lasting impact.
It’s hard to ignore the influence of legends like Stevie Wonder, Radiohead, and Tame Impala woven into the DNA of Person, yet My Satellite doesn’t merely imitate; they innovate. The album bridges nostalgic textures with contemporary ambition, striking a balance between familiarity and fearless experimentation. Songs shift between cathartic and melancholic, electrifying and introspective, making for an album that’s as much about the listener’s own emotional experience as it is about the band’s.
My Satellite has been crafting their sound since their formation in 2009, originally a solo endeavor by Bryan Stage before evolving into a fully-fledged band. Their 2014 debut Lift introduced audiences to their celestial sonic palette, but Person is where they truly solidify their identity. It’s a bold statement, a record that doesn’t shy away from the complexities of love, loss, and transformation.
With Person, My Satellite doesn’t just tell a story—they let you live it. It’s an unpredictable, psychedelic ride that leaves you somewhere entirely different than where you started. And isn’t that the mark of a great album?
The Rapid Onset
The Rapid Onset’s latest single, Pretty/Fragile, is a fierce and fearless introduction to Destroy! Destroy! Destroy!, the upcoming 2025 album that promises to expand on the raw, unfiltered energy of 2022’s RIOTSONGS. But while RIOTSONGS was a pointed, urgent political statement, Pretty/Fragile shifts focus—without losing an ounce of its bite. It’s personal, it’s theatrical, and it’s proof that The Rapid Onset, led by the singular Kiri Anne Ryan Bereznai, refuses to be put in a box.
From the first few bars, the track is a masterclass in controlled chaos. A wiry, elastic riff bounces around the stereo field, setting the stage for Kiri’s unmistakable voice—a voice that doesn’t just carry the song, but wields it like a weapon. She howls, shrieks, and swoops between registers, rejecting the deadpan, detached delivery of much of modern rock in favor of something far more dynamic. There’s an obvious reverence for vocalists who treat their voices like instruments—David Lee Roth, Glenn Hughes, even Siouxsie Sioux—and that fearless approach infuses the track with a reckless, electric energy.
But Pretty/Fragile isn’t just about vocal acrobatics. The song itself is a brilliantly structured collision of post-punk, indie rock, and classic hard rock showmanship. The layered guitar work—crafted with a meticulous dual-rig setup inspired by Van Halen’s stereo wizardry—creates a sound that’s both expansive and intimate. The chorus is sticky and urgent, the verses dart and weave unpredictably, and the whole thing feels both finely tuned and barely restrained. That balance between precision and rawness is what makes The Rapid Onset stand out.
Lyrically, Pretty/Fragile is as much about contrast as its sound. Strength and vulnerability exist side by side, with the song embracing the tension between them rather than resolving it. This theme seems to reflect Bereznai’s own artistic journey—moving from the outright fury of RIOTSONGS into something more complex, more personal, but just as bold.
In a world where rock music can sometimes feel either overly polished or aggressively lo-fi, Pretty/Fragile lands right in the sweet spot—gritty but melodic, messy but intentional, old-school in spirit but undeniably forward-thinking. If this is just the first taste of Destroy! Destroy! Destroy!, then summer 2025 can’t come soon enough.
OMENS
Heavy times call for heavy music, and OMENS arrive with a sonic gut punch that proves rock is far from dead. The Winnipeg trio—Mike Keller (guitar), Trevor Tuminski (vocals), and Don Jacks (drums)—deliver a relentless debut that feels both familiar and fresh, merging the bruising grit of old-school metal with hooks sharp enough to leave a mark.
Right from the opening riff of Divide and Conquer, OMENS make their mission statement clear: no brakes, no filler, just 12 tracks of high-voltage rock that demand to be played loud. First single Black Magic is a prime example, built on pummeling chugs and an earworm chorus that refuses to leave your head. And just when you think they might ease up, they fire off Crowd Pleaser, a closer that does exactly what its title promises—proving OMENS aren’t just here to play; they’re here to take over.
For longtime fans of Canadian rock, Keller and Tuminski’s chemistry might spark a sense of déjà vu. That’s because the duo first made waves in the early 2000s with Jet Set Satellite, a band that landed heavy rotation on rock radio and MuchMusic with tracks like Best Way to Die and Ladykiller. But OMENS isn’t a nostalgia trip—it’s a battle cry for a new era. Armed with Jacks behind the kit (whose own family ties to hit-making run deep), the band locks into a sound that’s raw, anthemic, and primed for the next great rock resurgence.
What sets OMENS apart is its unwavering commitment to what makes heavy music great. “I hate when bands take their foot off the gas or try to be heavy just for the sake of it,” Tuminski says, and that ethos bleeds through every track. There’s no pretense, no overproduced polish—just riffs covered in mud and choruses built to shake stadium walls.
So if you’ve been waiting for a band that brings back the headbanging glory days without feeling like a tribute act, OMENS is the album you didn’t know you needed. It’s not just a debut—it’s a warning shot. And something tells us OMENS are only getting started.
For fans of: Shinedown, Alter Bridge, Three Days Grace, and anyone who thinks rock should be loud, unapologetic, and impossible to ignore.
Standout tracks: Black Magic, Divide and Conquer, Crowd Pleaser
Blake Jeanis
Blake Jeanis continues to carve out a distinctive space in the indie-pop landscape with his latest release, "Not Just a Dream." A masterful blend of ethereal textures and introspective lyricism, this second original track cements Jeanis’ artistic evolution while showcasing his ability to evoke deep emotions through sound. Produced by Billboard-certified and Grammy-affiliated producer Luis ‘Cancion’ Calderon, the record weaves cinematic sonic landscapes with an airy, heartfelt vocal performance, making for a mesmerizing listening experience.
From the opening notes, "Not Just a Dream" exudes a dreamlike quality, inviting listeners into a world of fleeting emotions and nostalgic longing. The song's foundation is built upon immersive synth layers, delicate reverbs, and intricate yet subtle ad-libs that seem to float effortlessly in the background. This careful attention to sonic detail creates a space where emotion is not just conveyed but deeply felt. The production unfolds gradually, mirroring the ephemeral nature of the connection Jeanis explores in the lyrics—a love or moment so pure that it feels surreal yet painfully transient.
Jeanis’ vocal approach is a highlight of the track, opting for an airy, restrained delivery rather than overpowering theatrics. This choice enhances the song’s weightless quality, allowing the lyrics to settle gently yet impactfully. It’s a style reminiscent of his inspirations—artists like LANY and Kacey Musgraves—while maintaining a voice that is entirely his own. There is an unspoken vulnerability in the way he sings, making the listener feel as though they are floating alongside him in a dream they don't want to wake from.
Lyrically, "Not Just a Dream" is a poignant meditation on the fleeting nature of meaningful moments. It questions whether such connections are destined to last or if their beauty lies in their transience. This theme is further amplified by the track’s ethereal instrumentation, which never fully resolves, instead lingering in a space between reality and reverie. Jeanis excels at crafting songs that are deeply personal yet universally relatable, and this track is no exception.
Behind the scenes, Luis ‘Cancion’ Calderon plays a crucial role in shaping the sonic atmosphere of "Not Just a Dream." With a refined ear for layering and composition, his production choices enhance the song’s delicate balance between intimacy and cinematic grandeur. The collaboration between Jeanis and Calderon is seamless, as they share a mutual appreciation for music that tugs at the heartstrings while offering an immersive, almost otherworldly experience.
What makes "Not Just a Dream" stand out is its ability to capture both the weight and weightlessness of nostalgia. Every detail—from the soft harmonies to the ambient textures—feels meticulously placed yet effortlessly natural. The song is a testament to Jeanis’ growth as an artist, marking a milestone in his journey of sonic and emotional exploration. With its hypnotic soundscape and deeply reflective core, "Not Just a Dream" is more than just a song—it’s an experience, a moment suspended in time that listeners will find themselves returning to again and again.
Zachary James Smith
Music often serves as a bridge between personal experience and universal emotion, and Zachary James Smith's latest single, "Along the Way," is a perfect embodiment of that connection. With a deep-rooted passion for music that began in childhood, the Port Talbot-based musician has crafted a song that is as personal as it is evocative, taking listeners on a journey through his own world—one shaped by creativity, persistence, and a special bond with his dog, Cooper.
At its core, "Along the Way" is an instrumental track that speaks volumes without uttering a single word. Drawing inspiration from the melodic prowess of guitar legends like John Petrucci, Paul Gilbert, and Steve Vai, Zachary weaves intricate guitar work with a dynamic range of tones and textures. His playing is both fluid and expressive, capturing the sense of movement and exploration that mirrors the long walks he shared with Cooper while conceptualizing the piece.
What makes "Along the Way" even more compelling is its raw and authentic production. Recorded entirely in his bedroom, Zachary embraced a trial-and-error approach akin to a writer sculpting a novel, refining each note until it resonated just right. The recording process was an exercise in patience and precision, where he built the song layer by layer, using drum beats as a foundation to experiment with melodies until he found something that truly spoke to him.
This release is a significant milestone in Zachary’s evolution as a musician and producer. Over the past three years, he has immersed himself in the technical aspects of production—studying equalization, modulation, compression, mixing, and mastering to elevate his sound. That dedication shines through in the track’s polished yet organic feel, making it stand out with its distinct quirks and dynamic shifts.
Beyond the music itself, "Along the Way" carries a deeper message about the therapeutic power of music. As an artist on the autism spectrum, Zachary is a vocal advocate for the transformative impact of playing an instrument. His journey underscores how music can serve as a powerful tool for self-expression, healing, and connection. By sharing his experience, he hopes to inspire others—especially those with autism—to explore their own creative potential through music.
Though Zachary has yet to step into the live performance circuit beyond an open mic night at The Builders Arms in Swansea, "Along the Way" marks a pivotal turning point in his career. It’s a testament to his growth as an artist, his relentless pursuit of his craft, and the deeply personal stories he weaves into his compositions.
With its intricate guitar work, heartfelt inspiration, and DIY ethos, "Along the Way" isn’t just a song—it’s a journey, an emotion, and a reflection of an artist who continues to carve his own path, one note at a time.
Perro Del Kaos
In a world where music is often packaged into bite-sized, algorithm-friendly hits, Perro Del Kaos is taking a different road—one filled with dust, grit, and raw storytelling. His latest single, Poison, is not just a song; it’s a statement.
It’s the third taste of his upcoming 27-track epic, Ghost Town Riders, set to drop on February 27th. If Poison is any indication, this album is gearing up to be a full-throttle journey through the heart of an artist unafraid to experiment and push boundaries.
Recorded between San Sebastián and Mallorca, Ghost Town Riders captures the spirit of an artist on the move—both physically and creatively. With influences spanning country, rap, blues, rock, and even the haunting soundscapes of spaghetti westerns, Poison serves as a microcosm of this eclectic sonic universe.
The track is a high-energy fusion of old-school grit and modern urgency, weaving together twangy guitar licks, rugged vocals, and an unmistakable sense of rebellion.
Visually, Perro Del Kaos amplifies the song’s impact with a striking music video that pays homage to silent film legend Buster Keaton. Utilizing footage from The General, the video mirrors the song’s restless energy, blending humor, chaos, and nostalgia into a seamless visual experience.
It’s a bold creative choice that adds another layer of depth to the track, showing that Perro Del Kaos isn’t just making music—he’s crafting a cinematic universe around it.
With Poison, Perro Del Kaos proves he’s at the peak of his musical prowess, balancing anthemic songwriting with a deep reverence for history—both musical and cinematic. As anticipation builds for Ghost Town Riders, one thing is clear: this isn’t just an album, it’s an odyssey. And with a live show planned for 2025, fans can expect the full Perro Del Kaos experience to come alive in ways they never imagined.
