Weekly Discover #44

Welcome to Weekly Discover 44

This isn’t just another playlist—it’s a curated experience that captures the pulse of today’s music scene.

Dive into a dynamic mix of sounds, where soothing melodies meet high-energy beats. Every track is handpicked to inspire, surprise, and resonate with you.

Discover rising talent and groundbreaking sounds as classic influences blend with bold new creativity. These artists push boundaries, shaping the future of music with every note.

Whether you’re a longtime listener or just exploring, Weekly Discover 44 is all about musical evolution. Expect fresh perspectives, unexpected favorites, and a journey through sound like no other.

Join us in celebrating music. Every beat tells a story, and every rhythm leaves a mark. Welcome to 1111CR3W—where the future of music begins.

Partners In Crime - "I'll Never Find Another You"

Toronto-based rock outfit Partners In Crime have struck gold once again with their latest single, "I'll Never Find Another You," released on January 1st, 2025. A nostalgic yet refreshingly modern take on a beloved classic, this track blends the band’s signature influences—The Beatles, British Rock, and New Wave—into a sound that feels both timeless and innovative.

Recorded at Kinck Sound in Scarborough and produced by Fred Kinck Petersen and Terry Gadsden, "I'll Never Find Another You" is a testament to the band’s deep-rooted musical chemistry. The quartet—Colin Whiteford (guitar/vocals), Doug Pegg (drums/vocals), Gene Falbo (bass guitar), and Terry Gadsden (keyboards)—has been honing their craft since their grade school days in Scarborough, and their decades of camaraderie shine through in every note of this release.

The track’s warm, heartfelt delivery is balanced by a touch of humor, a signature move for Partners In Crime. With a blend of lush harmonies, crisp instrumentation, and an undeniable earworm of a melody, "I'll Never Find Another You" feels like an instant classic. Its appeal has been further cemented by strong radio play on PoP Can Radio and a coveted spot on the PoP Hits 2024 playlist on Spotify, where it has been earning praise from both fans and fellow artists alike.

This release follows their fan-favorite hit "Randy Girls" and solidifies the band’s ability to craft songs that are both emotionally resonant and effortlessly catchy. Their music has found its way onto major radio charts, television networks like MuchMusic and Rogers TV, and even into stadiums, proving that Partners In Crime have a reach far beyond their Toronto roots.

A band that never takes itself too seriously, Partners In Crime also have a recording tradition that speaks to their rock-and-roll spirit—knocking back a couple of beers at a dive bar near the studio before laying down their vocals. That looseness and camaraderie translate into their music, making "I'll Never Find Another You" a track that feels authentic, alive, and full of heart.

With their latest single already making waves and earning appreciation from industry peers, Partners In Crime continue to show why they are a staple of the Toronto music scene. As one band member so perfectly put it: "You're Right!!"

Nadav Elkum – Peekaboo

Some artists dabble in different mediums; others, like Nadav Elkum, bend them to their will. The Israeli director, actor, screenwriter, and musician has crafted an artistic identity that thrives at the intersection of cinema and sound. With Peekaboo, his latest record, Elkum continues that boundary-blurring tradition—this time, using music as both a standalone statement and a cinematic heartbeat.

Elkum originally conceived Peekaboo as the sonic backbone to his award-winning 2024 short film of the same name, but this isn’t just a collection of score fragments or background instrumentals. It’s a fully formed, immersive experience that captures the eerie, high-stakes energy of the film while offering something deeper—something that lingers long after the last note fades.

From the moment the album begins, it grips the listener with a sense of urgency. Pulsing synths, raw vocal delivery, and shadowy textures evoke a world of tension and intrigue. Each track feels cinematic, yet intimate—pulling you into a narrative without ever needing a screen. It’s clear that Elkum understands not just music, but storytelling, and he wields both like a seasoned auteur.

Having started as a teen actor before branching into music and film, Elkum has a rare ability to inhabit multiple artistic spaces at once. That multidimensionality seeps into Peekaboo, where every song feels like a scene—alternating between controlled chaos and melancholic introspection. His voice, at times hypnotic and at others filled with restrained urgency, serves as the emotional throughline of the record.

There’s a theatricality to his performance, but it never feels forced. Instead, it mirrors the layered depth of an actor slipping into character—a reflection of Elkum’s own journey between music and film. The intensity of the storytelling is amplified by the fact that this isn’t just a soundtrack to a film—it's the soundtrack of an artist’s creative evolution.

Peekaboo has already left its mark in film circles, earning accolades at Venice Shorts in Los Angeles and Sacred Underground in Texas, along with multiple nominations in Canada and Vienna. But beyond the festival circuit, its music has a life of its own. Elkum’s ability to weave sound and narrative into something both thrilling and emotionally resonant proves that he’s more than a musician, more than a filmmaker—he’s a world-builder.

For those who haven’t yet stepped into Elkum’s universe, Peekaboo is an electrifying entry point. Whether you’ve seen the film or not, the music stands tall on its own, inviting listeners into a world where suspense, passion, and cinematic grandeur collide. Final Verdict: A must-listen for those who crave music with depth, drama, and a cinematic edge.

Anxiety Attack – Knives

There’s something undeniably gripping about Anxiety Attack’s upcoming release, Knives. Slated to drop on December 12, 2024, this record isn’t just another entry in the pop-punk and post-hardcore catalog—it’s a labor of love, frustration, and unfiltered emotion. Every note, every lyric, and every drum fill feels like a raw nerve, exposed for the world to witness.

Hailing from Tampa, Florida, Anxiety Attack has long drawn comparisons to bands like The Story So Far, Chunk! No, Captain Chunk!, Blink-182, Sum 41, and Saosin. That influence is deeply embedded in Knives, but make no mistake—this album is uniquely theirs. Fueled by personal experiences of loss, heartbreak, and the inevitable disappointments of youth, the record delivers a gut-punch of nostalgia and fresh intensity all at once.

To say Knives was a challenge to create would be an understatement. The band drove thousands of miles, faced multiple lineup changes, and powered through countless obstacles to bring this album to life. Founding members Ricky Lee (lead guitar) and Alexander Watts (drums) started the band—originally called Public Image—in 2021, but it wasn’t until 2023 that things truly clicked. That’s when vocalist Jeremiah Hagan answered a Craigslist ad that, by all accounts, seemed like a joke. With the later addition of rhythm guitarist Matt Auger, the final lineup solidified, ready to take on the scene with relentless energy.

The album was recorded with two top-tier engineers: Sean Dolich (who has worked with Our Last Night, Broadside, and Slaves) and Kyle Hoffer (known for his work with Chance The Rapper, The Real You, and Cashed Out). The result? A sonically rich, emotionally charged record that captures the essence of Anxiety Attack’s live performances. No backing tracks, no excessive vocal effects—just pure, unfiltered passion.

From the moment Knives kicks in, listeners are met with a high-energy blend of aggressive riffs, anthemic choruses, and unrelenting percussion. Anxiety Attack thrives on authenticity, ensuring that what you hear on the album is exactly what you’d experience at a live show.

What makes Knives stand out isn’t just the music—it’s the story behind it. This isn’t a band that took the easy route. Every step of the journey was earned, from the late-night drives to the heated creative battles. Anxiety Attack poured everything they had into this record, and it shows.

With Knives, Anxiety Attack isn’t just making music; they’re making a statement. They’re proving that passion, persistence, and raw emotion can create something truly unforgettable. For fans of pop-punk, post-hardcore, and anyone who craves authenticity in their music, this album is a must-listen.

Para Lia – Mindsong

Some songs demand to be felt as much as they are heard, and Para Lia’s latest release, Mindsong, is one of them. The Berlin-based indie rock duo has crafted a track that is both expansive and intimate, blending rich psychedelic textures with the raw urgency of blues-driven rock. It’s a song that doesn’t just invite you to listen—it dares you to let go.

From the very first notes, Mindsong sweeps the listener into a hypnotic soundscape, led by wailing guitar riffs that pulse with an almost cinematic intensity. The instrumentation carries an undeniable sense of movement, as if urging you forward, reminding you that life is fleeting and full of unclaimed moments. The message is clear: time waits for no one, so make every second count.

Lyrically, Mindsong is both a call to action and a meditation on the weight of choice. The urgency in the vocal delivery underscores the song’s themes of seizing opportunities and embracing the unknown. It’s not just about dreaming—it’s about doing. This is an anthem for those who refuse to stand still, a rallying cry for anyone who has ever felt the pull of something bigger just beyond reach.

What sets Mindsong apart is its ability to balance intensity with fluidity. The track’s dynamic structure, oscillating between soaring crescendos and reflective interludes, mirrors the highs and lows of the human experience. There’s a depth to its layers, revealing new nuances with every listen, making it the kind of song that lingers long after the final note fades.

Para Lia has always had a knack for creating music that feels both nostalgic and forward-thinking, and Mindsong is no exception. It’s a track that doesn’t just belong to one moment in time—it resonates across them all. So plug in, turn up the volume, and let Mindsong take you somewhere new. After all, as the song reminds us, now is the time to embrace the journey.

Rice – Starvin’

In an era where music often leans on catchy hooks and viral trends, Rice’s Starvin’ stands out as a deeply personal, unfiltered journey through struggle, triumph, and self-reflection. The album isn’t just about navigating the music industry; it’s about navigating life itself—embracing the highs, enduring the lows, and finding meaning in every step of the journey.

From the very first track, Starvin’ exudes hunger—not just for success, but for understanding, growth, and emotional clarity. Rice is no stranger to vulnerability, and he wears it on his sleeve throughout the project. With his signature blend of hip-hop, pop, and world rhythms, he constructs a soundscape that balances nostalgic introspection with forward-looking resilience.

One of the standout moments on the album is C’est La Vie, a track that feels like a personal therapy session wrapped in melody. Rice’s storytelling is razor-sharp, addressing themes of loss, mental health, and perseverance. Lines like “I got problems she can’t see” cut deep, serving as a stark reminder that everyone carries unseen battles. But instead of letting hardship define him, Rice turns pain into poetry, offering a track that is as uplifting as it is honest.

Beyond the introspection, Starvin’ is also a testament to resilience. Songs like No Brady and Juice showcase Rice’s ability to craft anthems that feel both personal and universal. His lyricism remains raw, and his delivery is refreshingly unpolished—there’s no industry gloss here, just an artist unafraid to show his scars. It’s this authenticity that makes his music so impactful.

Rice’s journey as an independent artist adds an extra layer of depth to Starvin’. Having already conquered iTunes charts and earned a place on Billboard, he proves that success isn’t measured by shortcuts but by the willingness to put in the work, take risks, and stay true to one’s vision. His experiences in the industry—both the triumphs and the setbacks—shape the DNA of this album, making it more than just a collection of songs; it’s a lived experience.

At its core, Starvin’ is about more than music—it’s about purpose. It’s about embracing the hunger for something greater, learning from every misstep, and using those lessons as stepping stones. Rice’s ability to channel his personal struggles into art is what sets him apart. He doesn’t just make music; he makes connections, speaking to those who have felt lost, unheard, or underestimated.

With Starvin’, Rice delivers a project that refuses to be ignored. It’s a reminder that in a world full of distractions and facades, authenticity still has a place. Whether you’re chasing dreams, fighting inner demons, or simply trying to make sense of life, this album is for you. And as Rice continues his ascent, one thing is certain—he’s not just here to make hits. He’s here to make an impact.

Thomas And The Angry Hearts – It’s You

Some records grab your attention, while others take hold of your soul. It’s You, the latest offering from Norwegian rockers Thomas And The Angry Hearts, does both. Hailing from Lillestrøm, this band has steadily built a reputation for crafting heartfelt, organic rock, blending the raw energy of '70s folk rock with the anthemic sounds of '90s icons like The Hooters and U2. Their self-titled album, produced by Ronni Le Tekro (legendary guitarist of TNT), is a testament to their undeniable chemistry and passion for storytelling through music.

At the heart of this album is the standout track It’s You—a song that feels like an open letter to every listener who has ever found solace, strength, or identity in the company of others. More than just a love song or a nostalgic reflection, It’s You is an anthem for the deep bonds we form, whether through friendships, music, or shared experiences. It’s no wonder this track is a favorite of both the band and their producer; its universal message and soaring melodies make it an instant classic.

Recorded at Studio Studio Nyhagen, a secluded haven deep in the Norwegian woods, the album thrives on a purity rarely found in modern rock. There’s a warmth to the production, a sense that every note and lyric was crafted with intention. Thomas, Hilde, Stig, Nils, and Leiv-Rune pour their hearts into every track, and you can hear it—whether in the gentle rise-and-fall of the instrumentals or in the conviction of their vocals.

Le Tekro, whose guitar wizardry and musical insight are well-documented, didn’t just produce the album; he became part of its soul. Reflecting on the process, he remarked, “When we are recording, we fly into the essence of the matter of music. Don’t think, just concentrate on feeling, and the music will arise.” That philosophy is evident throughout It’s You—nothing feels forced or overproduced, just raw, honest, and brimming with life.

But what truly makes this release stand out is its timeless relatability. Everyone has that one person or that one moment that shaped them. It’s You taps into that universal truth, reminding us that no one walks their path alone. And in a world that often feels disconnected, that reminder is more powerful than ever.

With their self-titled album, Thomas And The Angry Hearts aren’t just making music; they’re creating anthems for the soul. If you’re looking for a record that speaks to the heart and lingers long after the final note fades, this one’s for you.

Melissa Engleman - Love (Indiegogo Version): A Hauntingly Beautiful Journey Through Heartache and Healing

Few albums carry the weight of lived experience like Love (Indiegogo Version), the latest release from singer-songwriter Melissa Engleman. The first installment in her Trilogy of Love, Death, and Mexico, this EP is as much a personal reckoning as it is a musical statement—one that weaves together the raw honesty of folk, the melancholic twang of alt-country, and a dreamlike haze reminiscent of Mazzy Star’s best work.

Engleman, a longtime fixture in the Austin music scene, recorded the album at Plaid Dog Studios in Boston, MA, with additional vocal sessions at Craftsman Recording in Austin, TX. Despite the geographical distance, the result is cohesive and intimate, with Engleman’s voice—a delicate but unflinching instrument—guiding listeners through a deeply emotional landscape.

At the heart of the EP is Engleman’s introspective songwriting, shaped by influences as diverse as Willie Nelson, Tori Amos, and Patsy Cline. Tracks like "For As Long As My Heart Would Let Me" embrace classic country storytelling, evoking the ache of betrayal with a rich, slow-burning melody. Meanwhile, "Say Goodbye" channels ‘90s alternative nostalgia, bringing a fresh yet familiar sound that feels both cathartic and empowering.

The project was not without its hurdles. A cancer diagnosis and pandemic-related delays forced Engleman to put her music on hold, but rather than break her spirit, the experience deepened her artistic resolve. Songs like "Waiting for You" reflect this perseverance, exploring the complexities of loving from a distance, while "In the Quiet" is a poignant meditation on silencing self-doubt and outside negativity. Even the ukulele-driven "Those Things"—perhaps the most deceptively lighthearted track on the album—carries an undercurrent of resilience, serving as a gentle pep talk to herself and her listeners.

Engleman’s ability to balance vulnerability with grit is what sets Love (Indiegogo Version) apart. Her voice—high, lonesome, and utterly arresting—has drawn comparisons to legends before her, but it’s the way she approaches each lyric as if her life depends on it that makes this album unforgettable. As Nick Deriso of Unsigned Treasures put it, “Her subject matter is unflinching and evocative.”

Musically, Engleman’s band elevates the project with an organic, lived-in sound. Lance Massey’s electric guitar wails like a ghost in the background, while Carter Sanders’ piano work adds a touch of elegance to the more introspective moments. Mike Davidson and Daniel Yoong’s bass lines keep the foundation solid, while Chris Arnold’s ukulele and Kyle Harris’ drums bring unexpected textures that add depth to each arrangement.

With Love (Indiegogo Version), Melissa Engleman has crafted something more than just an album—it’s an open-hearted invitation to embrace heartache, self-acceptance, and the journey toward healing. The trilogy has only just begun, but if this record is any indication, Death and Mexico will be equally compelling chapters in an already remarkable story.

Artificial Incline – Used to Be: A Haunting Reflection on Love and Loss

Some albums feel like a diary cracked open, raw and unfiltered. Used to Be, the latest release from Artificial Incline, is exactly that—a deeply personal recollection of past heartbreak, betrayal, and emotional turbulence, wrapped in an evocative soundscape. Hailing from Strathmore, Canada, the self-driven artist behind Artificial Incline has crafted an album that doesn’t just tell a story but makes you feel every high and low.

Released on January 30, 2025, Used to Be is more than just a collection of songs—it’s a cathartic expression, a musical time capsule that captures the lingering echoes of love gone wrong. The album's origins trace back to 2017, when the artist found solace in music amid a storm of relationship turmoil—infidelity, emotional and verbal abuse, and the complicated aftermath of it all. Years later, in late 2024, a box of old videos and lyrics reignited that creative spark, leading to the recording of this deeply introspective project.

The beauty of Used to Be lies in its authenticity. There’s no sugarcoating here—just unfiltered emotion, seen from different perspectives. Artificial Incline doesn’t just revisit the past; they dissect it, turning old wounds into art. The production, a seamless blend of technology and raw sentiment, gives the album a haunting quality—like looking through a window into moments that once felt inescapable.

From the first note to the last, Used to Be is a journey of rediscovery, both for the artist and for the listener. It's a reminder that pain and growth are intertwined, and as Artificial Incline puts it, “Good things take time.” Whether you’ve been through similar struggles or are simply drawn to music with emotional depth, this album will resonate in unexpected ways.

With Used to Be, Artificial Incline proves that music isn’t just an escape—it’s a way to make sense of what was and what remains.

SoulDaemon – Remembrance of My Soul

In the vast landscape of experimental death metal, few artists dare to strip their compositions down to the bones of pure atmosphere and raw emotion. With Remembrance of My Soul, SoulDaemon—the brainchild of Mark SoulDaemon—ventures into an uncharted sonic realm, weaving a haunting, bass-driven instrumental experience that defies conventional metal standards.

Hailing from Padova, Italy, SoulDaemon has long been recognized for its unconventional approach to metal. With Mark at the helm, the band’s music is anchored by the commanding presence of the bass guitar, an element that takes center stage rather than merely supporting the composition. In Remembrance of My Soul, this approach is taken to its logical extreme, with only bass, keyboards, and drums crafting the song’s melancholic and immersive soundscape. The result is a piece that transcends traditional death metal, instead delivering a deeply introspective instrumental journey.

Recorded at DeadFerro Studio, the track stands out not only for its minimalist instrumentation but also for its meticulous recording process. Mark employs two distinct bass guitars—one dedicated to rhythm, the other to solos—creating a layered, dynamic sound that replaces the need for traditional guitar work. This technique, while unconventional, lends the song a depth and richness that sets it apart from standard metal compositions. The rhythmic interplay between the basslines and the ethereal keyboards, performed by Raffaele of Alzhagoth, evokes an almost dreamlike quality, while Oph Serpent’s drumming grounds the track with precision and intensity.

Remembrance of My Soul is steeped in atmosphere, painting sonic landscapes of grey fog and bittersweet memories. The song’s introspective nature makes it a departure from SoulDaemon’s typical experimental death metal roots, yet it remains unmistakably true to Mark’s artistic vision. Drawing inspiration from legendary acts like Death, Morbid Angel, Bathory, and Manowar, the track reinterprets old-school influences through a modern and deeply personal lens. Rather than relying on aggression and brutality, SoulDaemon harnesses restraint and atmosphere, proving that heaviness can be just as impactful when it’s emotional rather than purely sonic.

This release is significant not only for its composition but for its ability to evoke emotion without the need for lyrics. The absence of vocals allows the listener to fully immerse themselves in the instrumental storytelling, interpreting its melancholic undertones in their own way. It’s a testament to Mark’s ability to push boundaries, reinforcing his reputation as a musician who refuses to conform to expectations.

For those seeking an experience beyond the traditional structures of death metal, Remembrance of My Soul offers something truly unique—a meditative yet powerful journey into the depths of sound and emotion. SoulDaemon continues to evolve, proving that true artistry lies in the courage to break norms and explore the unknown.

Ralston Van Der Schyff – A Doll’s Ballet

In a world where music often leans heavily on digital precision and layers of production, Ralston Van Der Schyff takes an entirely different approach with A Doll’s Ballet. Released on July 11, 2021, this deeply introspective piece is more than just a song—it’s a reflection of the human condition, a sonic expression of longing, nostalgia, and hope amidst chaos.

Van Der Schyff, a Cape Town-born musical virtuoso, creates with an almost spiritual dedication to his craft. As the sole composer, performer, and producer, his process is an intimate one. A Doll’s Ballet was recorded in his own studio during the height of the pandemic, a time of isolation and uncertainty. The unique nature of this setting lends itself to the track’s raw, unfiltered emotion. Minimal editing allows each note to carry its full weight, leaving an indelible mark on the listener.

The track itself is a delicate balance of Gospel, Jazz, and Classical influences, woven together seamlessly into a hauntingly beautiful melody. The harmonies rise and fall like waves, encapsulating the turmoil and tranquility of its underlying themes. There’s an almost cinematic quality to the way Van Der Schyff crafts sound—his piano work is expressive, sometimes aching with sadness, other times lifting the spirit in moments of quiet optimism.

The inspiration behind A Doll’s Ballet is just as poignant as its sound. Van Der Schyff describes it as a reflection on a world in turmoil, contrasted with the innocence of happier times. The imagery of forgotten toys in an attic serves as a metaphor for nostalgia, for memories of a past that seems just out of reach. “Longing for the days when we were once loved,” he muses—a sentiment that lingers long after the last note fades.

This ability to channel pure emotion into music is what makes A Doll’s Ballet so significant. It’s not just about technical skill, though Van Der Schyff’s mastery of his craft is undeniable. It’s about how the melody speaks to something universal—the shared experience of uncertainty, of yearning, of hope.

Currently, Van Der Schyff is taking his artistry beyond the studio, touring in Shanghai, China. Among his performance stops is The Harrods Tea Rooms, where his solo piano sets provide an intimate escape for listeners over afternoon high tea. This setting feels like the perfect extension of his music: refined, immersive, and deeply personal.

In an era where so much music is created for fleeting attention, A Doll’s Ballet stands apart. It is timeless, reflective, and profoundly human—an unfiltered glimpse into the soul of an artist who composes not for trends, but for truth.